Interviews
John Rodd: Recording Soundtracks
by Larry Crane
John Rodd might not be a household name, but it's likely you've heard his work. As a recording and mix engineer, he's worked on many film and television scores, including Elysium, Breaking Bad, The...
Behind the Gear
You Need the Right Kind of Melon: Brian Reitzell & His World of Film Music
by Jonathan Meiburg
You might not know Brian Reitzell's name, but you probably know his work. As the music supervisor and composer for most of Sofia Coppola's films, he's worked with the French electronic duo Air on...
Interviews
The Wrecking Crew: An interview with filmmaker Denny Tedesco
by Larry Crane
We've seen a lot more documentaries come down the pike lately, and thanks to a multitude of cable channels and video streaming we have ready access to many of these films. And, lucky for us, a lot of...
Interviews
by Tom Fine
In the Allen Sides interview in issue #106 of Tape Op, Allen mentioned owning a few Church mics and loving their sound. There's an interesting backstory to that microphone that I would like to...
Interviews
Pete Weiss interviews Pete Weiss interviews Pete Weiss: Bill Evans, Edgar Winter, and a 19/y/o Max Weinberg
by Pete Weiss
Back in 2000, while on a session break, I got a call at the studio. It was a friendly voice with a subtle New York accent. "Zippah Studio..." "Hello, I'm trying to reach Pete...
Artist/Recordists
Temples: UK Psyche Pop
by Alex Maiolo
Psych Pop has been enjoying a healthy resurgence. The loudest shots from the latest wave were fired by Tame Impala when they released Innerspeaker in 2010, soon becoming one of the biggest...
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John Rodd (bonus): Recording Soundtracks
by Larry Crane
John Rodd might not be a household name, but it's likely you've heard his work. As a recording and mix engineer, he's worked on many film and television scores, including Elysium, Breaking Bad, The...
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End Rant
Learn Recording, the Hard (and Rewarding) Way
by Dave Simonett
When I was younger and flat broke, I was offered a place to stay in my friends' house. It was a room in an old, unfinished basement, and I thought it'd be nice to have some walls. Being without funds...
Gear Geeking
Gear Geeking #107
by Andy Hong
Let's talk about tape — not the kind that you record on, but the kind that's sticky. Or actually, the kind that's sort of sticky — tape that's used to mount, attach, or repair things, but...
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Gear Reviews See more →
Model 14B tube compressor
by Locomotive Audio | reviewed by Jesse Lauter
The AES Convention is one of the more entertaining and overwhelming events in our little universe of audio. I flew out to Los Angeles for the conference this past October and walked the convention...
Colour Box preamp/EQ pedal
by JHS Pedals | reviewed by Chris Koltay
The use of effect pedals at the mixing board is by no means a new thing. I remember studio owners thinking I was crazy in the '90s when I patched in a SansAmp Bass Driver DI or BOSS DM-2 Delay pedal...
Tweaker side-chain shaping compressor
by Kush Audio | reviewed by Geoff Stanfield
There's gear that does its job in technically proficient and sometimes even colorful ways. In the capable hands of skilled producers and engineers, the gear brings to life the instruments and sounds...
CA-286 mic preamp
by Coil Audio | reviewed by Brad Williams
21st century perspective reveals that, in many ways, the advancement of recording technology has been chronologically non-linear. Rather than a tidy progression from primitive-to-sophisticated, we...
Colour 500-series analog saturation platform
by DIY Recording Equipment | reviewed by Scott Evans
We roam the frigid, soulless digital landscape, searching in vain for the analog mojo that was once ours. We buy expensive A/D converters, we compress everything, we emulate tape, and sometimes, we...
SONAR Platinum
by Cakewalk | reviewed by Alan Tubbs
The new SONAR that replaces SONAR X3 will be the last one ever — no more numbered editions according to Cakewalk. But that doesn't mean that this is the last release you'll ever need....
Splice MKII FET compressor
by Serpent Audio | reviewed by Dave Cerminara
The Splice MKII is an 1176-style FET compressor in a 2RU-height rackmount chassis. The original Splice, which is no longer available, was a 500-series module. The roomier faceplate of the MKII...
BM6 mkIII active monitor, BM9S II subwoofer
by Dynaudio Professional | reviewed by Eli Crews
I've been using a pair of Dynaudio Professional BM6 mkIII monitors for about four months now in my home mixing setup, and I took to them more quickly and confidently than I ever have to any...
ISA 828 8-channel mic preamp
by Focusrite | reviewed by Dana Gumbiner
Sometimes you need a hammer. Sometimes you need a Leatherman. Then again, maybe you need eight hammers with a folding torque-wrench attachment plus bottle openers on each. Um. What I'm trying to say...
Electronics Concepts, Labs, & Projects
by Alden Hackmann | reviewed by Scott McChane
Just nod your head and pretend like you know what they're talking about. "Of course it's the op amp, not the power supply!" But you really have no idea what they're talking about, do you? If you're...
H9 Harmonizer
by Eventide | reviewed by Andy Hong
At first glance, the H9 Harmonizer can be easily mistaken for a fancy guitar pedal adorned with pretty LEDs. Upon further study, it becomes clear that the H9 is so much more than a stompbox. It's hard...
Making Music: 74 Creative Strategies for Electronic Music Producers
by Dennis DeSantis (Ableton) | reviewed by John Baccigaluppi
In releasing this hardbound book, the folks at Ableton have continued to highlight their company and product as "the DAW that's different." It's hard to imagine any of the other major players in the...
Tank Driver 500-series spring reverb interface
by Radial Engineering | reviewed by Geoff Stanfield
Prolific inventor Laurens Hammond was granted a patent for the spring reverb in 1939, and in the decades that followed, Hammond incorporated this novel artificial reverberation device in the organs...
VT1000 vacuum tube tester
by Orange Amplification | reviewed by Steve Silverstein
Several pieces of gear in my studio experienced vacuum tube failures. After I found myself spending money for maintenance and parts, I realized that I would benefit from learning more about tubes and...
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Music Reviews
Blaze of Glory, Dead Center, Real Nighttime (reissues, 1982-1990)
by Game Theory | reviewed by Larry Crane
Game Theory was one of Northern California's most exciting groups. Band leader and songwriter/guitarist Scott Miller may have been influenced by Elvis Costello and The Beatles, but his take on...