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March 14, 2023

Interviews

Nic Hard: Just Keep Cooking...

by Larry Crane

Working with Michael League of Snarky Puppy, Nic Hard has engineered much of the band’s catalog. After starting in Philadelphia, Pennsylvania, as a DJ, he soon found himself studying...

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Columns See more →

End Rant

Open Minds, Open Ears

by Scott Anthony

"No drum machines were used on this album!" "No synthesizers!" These liner note proclamations were, for a time, a "cool" way to indicate a declaration of purity. But bands like Queen, who made these...

Gear Geeking

Gear Geeking w/ Andy...

by Andy Hong

When we lust over aspirational recording gear, what often comes to mind are vintage hunks of steel and vacuum tubes from the likes of Fairchild, Telefunken, Neumann, RCA, Pultec, Collins, and Altec....

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Gear Reviews See more →

Pyra-Sum Summing Mixer

by Undertone Audio  |  reviewed by John Baccigaluppi

I still believe that analog mixing sounds better than in the box mixing, and I enjoy the workflow more as well. I’ve been mixing with a hybrid analog/digital setup and process for years now, and...

PC-100A Rack Mount Power Strip

by ADJ Products  |  reviewed by Mike Kosacek

I like to think of my mixing desk as the control center. I hate running around the studio, behind racks, or bending down to search for a power switch, which is why I have several power strips in racks...

Select SV12 500 Series Compressor

by API  |  reviewed by Scott McChane

We’re all super excited over here at Tape Op when API introduces new gear, and the enthusiasm doubles when said equipment is priced affordably. Additionally, a joyous hysteria breaks out...

10-Inch 2-Way Active Studio Monitors

by Wayne Jones Audio  |  reviewed by Adam Kagan

Wayne Jones' career as a successful bass player led him to develop a line of well-respected bass amplifiers and cabinets for the stage and studio, utilizing his custom-manufactured Kevlar-impregnated...

MBOX Studio USB-C Interface

by Avid  |  reviewed by Adam Kagan

The new MBOX Studio demonstrates why Avid remains at the top of the heap for music production professionals. After spending several weeks with this interface, I can attest that it brings unparalleled...

1973 Condenser Mic

by Soyuz Microphones  |  reviewed by Kirt Shearer

This is going to be shorter than my usual overly wordy review – not because the product doesn’t warrant the page space, but because the message is fairly simple. So, let me give the...

BV-1 MkII Tube Mic

by Avantone  |  reviewed by Tony Vincent

Avantone began making microphones close to 20 years ago, and has recently updated their BV-1 large-diaphragm tube condenser microphone to the BV-1 mkII. First off, this upgrade comes as a significant...

H251 Tube Mic

by Heiserman  |  reviewed by Anthony Gravino

Clones of classic vintage tube microphones have become a common occurrence in pro audio. As a result, I have had the opportunity to hear and compare many different reproductions of famous mic designs...

PSP 285 Semi-Modular Delay Plug-In

by PSPaudioware.com  |  reviewed by Larry Crane

I made sure to start this plug-in delay's review without touching a single preset. Despite the feature-filled control panel, I understood and utilized most functions without reading any manuals and...

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