Interviews

Alan Parsons

by Larry Crane

I first met Alan Parsons in 2004, when I interviewed him for Tape Op issue #42. We’ve been lucky enough to work together on Recording Academy presentations and meet up socially a few times...

Interviews

Noah Bruskin: Getting in Right

by Larry Crane

A few years ago, my studio manager, Zach Bloomstein, needed to do a session in the Santa Barbara area, and his client hooked them up with Alan Parsons’ ParSonics Studio in Goleta, California....

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Nov. 18, 2024

Interviews

Ivan Julian: Let’s Try It

by Larry Crane

I’ve long been a fan of the seminal punk records that Richard Hell & The Voidoids made in the late ‘70s. Ivan Julian was a founding member, and he’s done quite a bit since,...

Nov. 18, 2024

Interviews

Amen Dunes

by Ryan Sommer

In an industry where evolution is key to an artist's longevity, Damon McMahon, known as Amen Dunes, is redefining his musical journey by coming home. The self-described “luddite” –...

Nov. 18, 2024

Interviews

Alfio Annibalini: On & In Demand

by Roman Sokal

With roots in Toronto, the most populated and diverse city in Canada, Alfio Annibalini has been working steadily in recording, mixing, teaching audio, producing albums, and playing as a musician...

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Gear Reviews See more →

ProChannel III

by ART  |  reviewed by Rich Hardesty

I’m a songwriter and musician who composes and records at home. Once in a while, I may bring in another musician buddy with a special skill on a particular instrument, but when it comes to...

Cakewalk Sonar 4 DAW

by BandLab Technologies  |  reviewed by Alan Tubbs

The latest release of Cakewalk’s PC-only DAW is out, and what a long, strange road it’s been. Is it called Cakewalk now? Or SONAR? Before the 20th century ended, Cakewalk began the new...

ABCs of Audio Recording (book)

by Jon Bellona  |  reviewed by Larry Crane

A 9-inch square, 32-page hardcover book, ABCs of Audio Recording is a delightful children’s read featuring a page-by-page alphabet of audio terms, with short descriptions and simple...

Beer & Soda Can Microphones

by Darwin Audio  |  reviewed by Larry Crane

Kendra Lynn, our former long-term studio manager and now staff engineer at Jackpot! Recording Studio, recently gifted me with a very unique-looking (and sounding) microphone. Housed in a vintage steel...

Lumina Delay Plug-In

by Mountainroad DSP  |  reviewed by Adam Kagan

A new delay plug-in, you say? I already have dozens of delays and have been pretty happy with my options – but sure, I’ll check it out. Mountainroad DSP may not be a familiar name, but...

Move

by Ableton  |  reviewed by Dana Gumbiner

Like a lot of Tape Op-ers, I started my recording expedition with a cassette 4-track. For a young songwriter, the 4-track was nothing less than a joy engine – a new way to capture ideas and...

Lakeside Mic Preamp

by Soyuz Microphones  |  reviewed by Larry Crane, Chris Koltay

In a climate where it sometimes seems like a race to the bottom, with companies trying to build the cheapest audio outboard equipment they can, it’s refreshing to come across gear like...

Historic Recording Studios (book)

by Randy McNutt  |  reviewed by Larry Crane

This 399-page, large format book, Historic Recording Studios: America’s Sound Factories and the People Who Made Them, is actually Volume One (A to M) of “A Scrapbook and...

Rim Mount Mic Clip

by Lauten Audio  |  reviewed by Mike Kosacek

I had ruled out mic mounts that attach to a drum’s rim after trying some in my studio years ago, only to find that they transmitted way too many bad sounds directly through the mount. I’ve...

EQs

80B-EQ 500 Series EQ

by Trident Audio Developments  |  reviewed by Brian Tarquin

I’m a faithful Trident user and have had several Trident recording consoles over the years. Trident Studios was formed by two brothers, Norman and Barry Sheffield, in 1968, with artists such as...

XL-305R Spring Reverb

by AudioScape Engineering Co.  |  reviewed by Brian Tarquin

I have always loved a good sounding reverb unit, one that is authentic and usable in real life mixes. I used to own the magnificent AKG BX20E spring reverb, housed in a beautiful 3.5 foot tall wooden...

UA LA-6176 Plug-In

by Universal Audio  |  reviewed by Cochrane McMillan

If you asked me whether you should try this UA LA-6176 Signature Channel Strip plug-in – or any of the company's plug-ins, Apollo hardware units, or their near zero latency console-like digital...

X-Raying Sound with iZotope RX (book)

by Simone Corelli  |  reviewed by Larry Crane

In this large format, 90-page full-color book, Simone Corelli takes on a tutorial ride through iZotope’s RX audio restoration app and plug-in suite, and is updated for the current RX 11 [see...

RX 11 Advanced App & Plug-In

by iZotope  |  reviewed by Larry Crane

I’ve been using iZotope RX [Tape Op #123] for over a decade, starting with RX 3 [#100], and this "audio repair toolkit" has become an integrated part of my workflow on every music project I do....

JC37 Tube Microphone

by Tonelux  |  reviewed by Dan Knobler

The Sony C37A may be the last classic tube mic without ubiquitous modern clones. There are a million variations of the Neumann and AKG classics at all sorts of price points, which is wonderful...

Quantum HD8 Interface

by PreSonus  |  reviewed by Liam Nelson

I was mixing the record that would never die – or at least would never go to mastering. You may have been there yourself; you start mixing, and then the artist goes to another studio and adds a...

X-Raying Sound with iZotope RX (book)

by Simone Corelli  |  reviewed by Larry Crane

In this large format, 90-page full-color book, Simone Corelli takes on a tutorial ride through iZotope’s RX audio restoration app and plug-in suite, and is updated for the current RX 11 [see...

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