Interviews
Steve Albini: Recording Neurosis and more
by Roman Sokal
Interviews
Eddie Kramer: Recording Hendrix and teaching future engineers
by Alex Kostelnik
Eddie Kramer worked humbly with the students of Terry Setter's Advanced Audio Engineering class at The Evergreen State College for four days. Regularly throughout the year he travels to schools and...
Interviews
Universal Audio
by John Baccigaluppi, Eric Broyhill
The 1176LN and the LA-2A are two examples of classic compressors which use very different techniques for gain control. The 1176LN uses a field effect transistor as its gain reduction element, while...
Interviews
Unwound: Their Haunted Home Studio
by Dewey Mahood
On an unusually cold and rainy Pacific Northwest winter day I found myself driving up I-5 to Olympia, WA. After narrowly escaping death from a couple of speeding 18-wheelers, I pulled into downtown...
Interviews
Plaid: Beyond Techno?
by The FezGuys
Plaid might be most well-known for their many remixes, especially those for Bjork and their own earlier trio, Black Dog. But it's the current duo's unique approach to the "techno" genre that sets...
All Features
Digital Mixing: Notes on the conversion from analog to digital mixing
by John Baccigaluppi
I recently finished recording and mixing a five song EP that, for the first time, I transferred into a computer and mixed digitally. It was one of the most interesting, fascinating and (mostly)...
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Phill Brown: Stomu Yamash’ta/Rock Follies 16th February 1976
by Phill Brown
We interviewed Phill Brown in issue number [#12] of Tape Op. Over the years he's worked with some of the greatest artists ever, like Jimi Hendrix, Joe Cocker, Traffic, Spooky Tooth, Jeff Beck, Led...
Universal Audio
by John Baccigaluppi, Eric Broyhill
After a pretty damm good surf session one fine sunny day in Santa Cruz, California, my friend and fellow recording engineer, Eric Broyhill and I stopped by the Universal Audio offices to talk with...
Universal Audio
by John Baccigaluppi, Eric Broyhill
When Bill Putnam, Jr. mentioned to me that his brother Jim was in the Radar Brothers, it didn't really sink in 'till a few minutes later. When it finally did, I rudely interrupted him and Eric with...
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End Rant
On Top Of The World
by Larry Crane
I was at a large music conference when, after being introduced to a fellow engineer who's work I greatly admired, I found him asking me if there were any "world-class" studios in Portland, Oregon....
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Gear Reviews See more →
FATSO Jr model EL-7
by Empirical Labs | reviewed by Andy Hong
FATSO is an acronym for Full Analog Tape Simulator and Optimizer. When digital multitracking first became affordable, it took only one session using 16 tracks of ADAT to convince me that I didn't want...
Seek Wah effect pedal
by Z-Vex | reviewed by Pete Weiss
All right, this thing is really cool. Sadly, it's also very expensive and is an extreme example of a "one trick pony." But what a trick, man! The Seek Wah sends your signal through a series of...
D2424 Hard Drive Recorder
by Fostex | reviewed by John Baccigaluppi, Chema Salinas
Last year saw the introduction of several competing 24 channel, 24 bit stand alone hard drive recorders from Tascam, iZ Technology (Radar), Alesis and Mackie. As all of these units sound good and...
Opal DPR-944 2+2 compressor/gate
by BSS | reviewed by Andy Hong
Many of us don't have the means to afford a rack full of processors to do all the things we need to do as practitioners of our field. So instead, we end up making compromises, oftentimes buying gear...
MoogerFooger-102 Ring Modulator
by Big Briar | reviewed by JD Foster
I gotta say I LOVE Bob Moog's MF102. I got one when they were first released and I have used it on something on every project since. I've had the best luck using it as a mix effect on shakers, hi-hat,...
MX-60 Front End One
by Drawmer | reviewed by John Baccigaluppi
I've had this in my studio for a few months now but didn't have much chance to use it until recently. To be honest, one of the reasons I didn't use it much is because I have several other mic...
Vortex effects processor
by Lexicon | reviewed by William Bernhard
In 1993 Lexicon came out with a couple of effects processors, the JamMan and the Vortex, that seemed to be here one moment and gone the next. The former is an incredible looping delay, possibly one of...
Evil Twin model 90 tube direct box
by Eclair Engineering | reviewed by Henry Robinett
I've been a fan of the Evil Twin for several years. This is a great, warm tube direct box. You might wonder about the questionable extravagance of an $850 direct box. Well if you think of it as merely...
Radar 24 digital hard disk recorder
by iZ Technology | reviewed by Jaye Barr, Scott Colburn, David Huber, Julian Martlew
Twenty-four bit recording is here, and now it nearly approaches the beauty of analog! I recently had the pleasure of test-driving the newly improved Radar 24 System by iZ Technology. The basic system...
E-A-R Earmuff
by Peltor | reviewed by Andy Hong
Quicker than inserting earplugs (and waiting for them to expand). Bright red and big - they're hard to lose. Put them on like headphones and walk into any tracking session without fear of blowing your...
MK 219
by Oktava | reviewed by Martin Chittum
Russian microphone manufacturer Oktava has been around since the 1950s. The MK 219 (a.k.a. MC 219) has been one of their most known and respected models for quite some time now, and is considered a...
Cubase VST 32 Version 5
by Steinberg | reviewed by John Baccigaluppi, Shaun Lopez
There are quite a few different recording programs available now, and they're all really pretty amazing. It would be hard to say that one is drastically better, or even different, from another. I...
Refillable Duster
by ReAir | reviewed by Andy Hong
Instead of paying big bucks for prepackaged air check out the ReAir refillable air sprayer. With about ten strokes of a standard bicycle pump, you've got a canister full of compressed air to blow crap...
ADP-1 Professional Active/Passive Direct Box
by Raven Labs | reviewed by Larry Crane, Ezra Meredeth
How do you review a DI box? Here's what we did. We set up a passive DOD 265 DI ($20), the Raven Labs ADP-1 ($349) and Avalon Designs Ultra 5 Direct ($1450) in a row, all patched into the same mic pres...
Platinum MixMaster
by Focusrite | reviewed by Andy Hong
In my living room studio, I mix on a Sony DMX-R100 digital console feeding my 24-bit Alesis Masterlink via a digital link. Therefore, I don't have much of a need for an analog mixdown processor....
MPX-500 Effects Processor
by Lexicon | reviewed by John Baccigaluppi
We recently installed a MOTU/Macintosh hard-drive recording system into our studio. While some of the plug-ins sound pretty good, the reverbs generally leave something to be desired. Or, if they sound...
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Music Reviews
F CD
by Fontanelle | reviewed by Roman Sokal
Former Jessamine cohorts Andy Brown and Rex Ritter and friends step up the flow of their liquid space jazz funk to the next level. Whereas their debut was doused with the textural jams of Miles Davis,...
Music Reviews
Wild Horse CD
by Torrez | reviewed by Roman Sokal
Led by the spiritual struggling-for-peace vocals of Kim Torres, this New Hampshire four-piece beautifully characterizes the sounds of damaged loneliness, abuse, autism and stillness. The surreal...
Music Reviews
SGNL05 CD
by ISIS | reviewed by Roman Sokal
ISIS blend minimalist-dub, music concrete and heavy churning tribal psychedelic drone to create a hypnotically intense listening experience. Recorded at the Outpost in Stoughton, MA, as well as...
Music Reviews
Stratosfear CD
by Unisex | reviewed by William Bernhard
British band Unisex was formed in 1996 as a collaboration between members of the seminal shoegazing band the Telescopes - Stephen Lawrie and Jo Loland with Nick Hemming. Since then the group has...
Music Reviews
Lateralus CD/LP
by Tool | reviewed by Roman Sokal
Between the months of October 2000 and January 2001, producer/engineer David Bottrill (see issue #19) sonically conducted and committed a musical masterpiece to tape: Tool's Lateralus. The 79 minute...