Yup, I sit at my computer all day editing articles, writing stuff for the mag and answering the ridiculous amount of emails that always seep in over the course of a day.
illus by Eva Kihl
Tape Op is a bi-monthly magazine devoted to the art of record making.
So during the mixing of a project last month I asked the band who they had picked out to master their album. They told me about someone I'd never heard of who was doing the job for very cheap, and I said, "Good luck." When they forwarded a...
Video Release: James Supercave "Burn"
What follows may be one of the best answers to the "So, how'd you guys meet?" question we have ever heard. Producer, engineer, and oft-recorded bassist (Black Keys, Ryan Adams, Norah Jones) Gus Seyffert was...
My pals have finally lost their minds. Apparently they wore blue ribbons to the Grammy Awards last week in protest of the use of Auto-Tune, and specifically mentioned Kanye West's new album, 808s & Heartbreak. Okay guys, I'm thinking of asking for a...
THE ERA OF HI-RES DIGITAL AUDIO IS HERE
I’ve been watching the rise of hi-end digital audio recently, and as I put the individual pieces together over the past year or so a picture is emerging that has inspired me to claim that we are...
Expect to see more changes in the music purchasing/acquiring habits of teenagers as time goes by. Courtesy of the NPD Group's press release:
"teens (age 13 to 17) acquired 19 percent less music in 2008 than they did in 2007. CD purchasing declined 26...
Tape Op contributor and studio owner/engineer/producer Mike Caffrey recently sent me some thoughts he had about visitors to the studio during sessions. See issue 73’s upcoming end rant for the origins of this piece. -LC
I always tell...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...