At Jackpot! we use the service from Greendisk. They send us a cardboard box and we toss used CD-R/DVD-R media, cords, old cell phones, cables and printer cartridges. A pretty cool service and not too expensive.
Tape Op is a bi-monthly magazine devoted to the art of record making.
More good stuff from Brittany Howard and Shawn Everett on the making of Brittany's new album Jaime
Read the whole interview with Brittany and Shawn HERE
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold?
I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...
Matt Fordham did the great interview with Buddy Miller in Tape Op #34. He also has this great blog, Record Ready, with video tutorials on recording techniques and tips. Many are Pro Tools based, in case you're looking for help in that department. He...
Larry interviewed Jack White back in Tape Op #82, and we went inside his Third Man Records pressing plant in issue #127.
White just released his sixth solo album, No Name. It is a great listen filled with whisps of Zeppelin, swamp blues, Detroit...
Eddie Ashworth dropped me a line about the work he and many other scholars are doing with the Art of Record Production folks. Be sure to read The Journal for the Art of Record Production online. It's densely full of articles, interviews, reviews...
So, Fort George Brewery & Public House in Astoria, OR, made an actual Tape Op-branded craft beer. It's called Overdub IPA, and it looks like this:
Here is what Fort George had to say about their creation:
A good beer is like a good sound...
By Pete Droge
Recently, I unearthed a cassette tape from a box labeled "late 90s." The spine read "Warren Pash at Got Wheels." The tape contained two Pash originals I produced, engineered, and mixed: "Blue River" and "Bones & Stones."
...
In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...