What? Huh? That's right, now you can "use classic studio gear online." This guy Fredrik created some way to remotely set compressors and equalizers and then pass your audio through them. Pretty genius and probably the wave of the future for certain items. Let's hope he buys a Fairchild limiter next!
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Steve Daubenspeck and Greg Freeman are Ancient Farmers and their new album is called Seventh Heaven. Greg Freeman was featured in Tape Op #1, and had previously recorded two albums for Tape Op founder Larry Crane when he was in the band Vomit...
This is a fascinating article about a brand new study in human auditory perception that is showing that there have been "naive" applications of mathematical formulas onto our understanding of human auditory perception. I cannot claim to...
Musow Danse by Les Amazones d'Afrique is out now and was produced by Garrett Jacknife Lee. Read his interview from Tape Op #149. This pan-country, multilingual supergroup of amazing African women is powerful and so important. Their previous two...
Geoff Stanfield and Andy Hong add an update to the original Meris Mercury7 Reverb review by Adam Kagan. GS: I am a fan of the Meris line of gear. They are a small shop who builds their high-quality modules in Los Angeles. I have reviewed the Meris...
I was on some webpage at the studio the other day, dealing with plug-in upgrades or such, when I noticed Google was placing profiled ads in front of me. Ironically, as I was in a pro studio, most were trying to refer me to recoridng schools (a bit...
Yup. From 1985 to 1993 I was in a band with the polite name of Vomit Launch. One of our songs, "Exit Lines" is in a movie called "The Wackness", in theaters now. A pretty damn good movie, and our song fits the scene too well! Most of our back catalog...
Hey Tape Op Readers! The AES Show will be online this year and you can get your FREE AES SHOWCASE pass (Showcase is from Oct 19 - 23 and will be on-demand until January) by using VIP code AES2020TapeOp at checkout! Offer good until Sept...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
