There are Giorgio Morodor vibes on tracks like "Volume" and plenty of driving four-on-the floor beats with bubbling basslines throughout. Tempos on the whole are edgy, sometimes hyper and unsettled, but it maintains a grooviness that will keep the dancefloor full of undulating bodies.
MFNW Music & Technology Panel Announced for Portland Digital eXperience August 16, 2012 - Portland, OR -- The first year of Portland Digital eXperience at the 2012 MFNW will feature a special music and technology panel with some of...
It's that time of year again where we go back through our digital listening histories or simply look over at the turntable to get a handle on just what we were enjoying this past year. There were a ton of great releases this year, many of them...
Artist/writer Keri Smith came up with this list some time back and it took on a life of its own. During a chat a client showed this to me as we were discussing being a musician and people that were "unhappy" with their lack of success. This sure...
A lot of you have probably heard the term “microphonic tubes.” But have you ever heard one in action? They actually turn into little microphones. (Hence the name). So, this week I decided to replace the input tubes on my Manley...
Our compatriots over at Australia's fine Audio Technology magazine posted this video of a visit to Behringer City. See Video Here. It's a curious visit and Chris Holder offers some good insight into this man and his company. Thanks to Steven...
Cedric Burnside performs "Love Her 'Til I Die" for the OneMic Series!
Check out the new track, “Domestic Workers Song,” from Dawn Landes. The song was originally written in 1939 but it’s still relevant and timely, and the recording is a fun sing-a-long romp with nods to The Band and the upstate NY...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
