Looking forward to seeing many of you at this year's AES convention in NYC!
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Tape Op Magazine’s founder and editor, Larry Crane, has been mixing songs and albums for people from all over the United States and the world for over 20 years. Many of these sessions are unattended, and here’s a glimpse into his...
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Hey, have a listen to the panel we did at SXSW. Jesse Lauter is an American producer/mixer/engineer. He has worked with The Low Anthem, James Blood Ulmer, Ingrid Michaelson, Elvis Perkins, Marco Benevento, Smokey Hormel, Alela Diane, Diamond...
We got this letter from J. Robert Lennon, a sometimes contributor here at Tape Op. I figured I'd better answer it. -Larry Crane "A thought struck me while I was reading Adam Kagan's very informative review of the Chandler Little Devil...
I just read an excellent new essay called The Case Against Free in which the author suggests that the "free economy" is drying up the economic resources needed to make quality creative works. The article focuses on recordings. It's a well...
I thought I'd seen it all until I heard about collectors that pass around bootlegged copies of the test tones and bias pads from all genres of artists and albums. From an article in MOJO this month: "Sorting their collections by "tones at head" or...
I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new...
Here's a clip of a rare Rolling Stone interview with the Lizard King talking about making records around 2 1/2 minutes in. “I could never produce ... because I don’t have the patience for it. I think that’s the main thing. Who's...
I finally figured out what makes for a successful tracking session: simply eliminate the variables. On one level this could be seen as pre-production combined with concise decision making. Certainly those can help - but what I'm talking about is...
