Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more traditional sounding tracks "Takoba" and "Imajighen", the album pushes the Toureg blues/rock genre into new territory, both sonically and musically. Funeral for Justice was produced by Mikey Coltun, who also plays bass in the band, and the album was mastered by Heba Kadry.
Our pal, Howard Massey, has a new book out, Behind The Glass Volume II. Volume I was a real treat, and Howard also co-wrote Geoff Emerick's excellent Here, There and Everywhere: My Life Recording the Music of the Beatles. There's a ridiculous amount...
Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op!Be sure to head on over to our YouTube channel and hit the subscribe and like buttons!Episode made possible with support from BURL...
If you are a Tape Op reader, you know our recent issue #136 had a focus on Dub Reggae. But beyond King Tubby, Lee Perry and Scientist, many people wonder where they should start with their listening to explore the genre. I asked recent interviewee...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps
One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
I'm not actually going to review the music on this record; it's free, just go get it and listen to it yourself. Instead, I'm a bit fascinated by the mechanics of the release itself. As my wife said when I told her I had the record, "Does anybody...
Here's some links and stuff from a thread I started at the Tape Op Message Board forum:
David Byrne interviews Thom Yorke about the Radiohead "In Rainbows" download in Wired Magazine.
Pandora Radio is an internet radio site that allows the...