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We interviewed Sarah Jarosz for Tape Op #140, for the Tape Op Podcast, and an episode of DISCussion!
Larry caught up with Manny Marroquin at Studio La Fabrique in France during a Mix With The Masters session.
Berklee College of Music sponsored a recent Tape Op newsletter and it got me thinking about music schools. In terms of my personal recording path, I learned on my own through trial and error and via mentors. You can read a little bit about that...
Bay Area native Scott Hansen, a.k.a. Tycho (Tape Op #123), has just released his sixth album, Infinite Health on Mom+Pop Records/Ninja Tune. Fans familiar with Tycho will hear Infinite Health as a logical progression in a sequence of...
Larry Crane adds an update to Marc Alan Goodman's orginal review of the Burl B80 Mothership. Marc Alan Goodman says in his original review, “It's rare to find a single piece of gear that elevates not only my entire...
Bass player Herbie Flowers had a front row seat for some of the most iconic recordings of the late sixties and seventies. He played on a staggering number of classic albums from artists such as David Bowie, Elton John, George Harrison, Harry...
Hard to believe that 2022 is already coming to a close. As was true in 2021, it was obvious that as the world was on lock down, artists were busy using their time to be creative and the result was an incredible amount of fantastic releases across...
With the release of Lawrence "Larry" Crane's Craniostomy Vol. Two, Tape Op's founder gives us a glimpse into his home recordings from 1983 to 1985. Cassette decks and odds and ends were harnessed into making these tracks, and revisiting them in...
During this year's SXSW music festival someone asked me how many times I'd been to Austin, Texas, for this event. I had no idea. Eight? Ten? Since the mid-'90s I've certainly attended many times, most as a panelist, but always as a music fan. And...
This is a fascinating article about a brand new study in human auditory perception that is showing that there have been "naive" applications of mathematical formulas onto our understanding of human auditory perception. I cannot claim to...
