Vinyl 101 - Preparing Your Release for Vinyl from Telegraph Mastering on Vimeo.
I'm about to write something that at first will seem like another gray-beard waxing nostalgic for a by-gone analog era. But, stick with me, because I think the tables are turning to where going analog might be as forward-thinking as it gets. Let's...
You've probably heard stuff about the stupid-loud Metallica album. Idolator rang me up for some comments. Check it out.
Eddie Ashworth dropped me a line about the work he and many other scholars are doing with the Art of Record Production folks. Be sure to read The Journal for the Art of Record Production online. It's densely full of articles, interviews, reviews...
So, Fort George Brewery & Public House in Astoria, OR, made an actual Tape Op-branded craft beer. It's called Overdub IPA, and it looks like this: Here is what Fort George had to say about their creation: A good beer is like a good sound...
We interviewed John Cale in issue #156 around the time of his previous release, Mercy. He has just released POPtical Illusion, a collection of synth and keyboard heavy tunes that carry a heavy, and at times angry message about the state of the...
Why did I think I could set up my home studio in a couple of hours when it took four months to move Jackpot! to a new building? Tomorrow's shopping list: Solder, S/PDIF cables, etc... I'm amazed at how tangled and messy this quickly got. All I...
Listen One of my favorite records of 2024 to date is Phosphorescent’s Revelator. It’s a beautifully recorded album, featuring Matthew Houck's timeless songwriting and lyrics plus gorgeous arrangements. I was hooked the first...
Every few years it seems time to give a brief explanation of how Tape Op Magazine "works." We constantly get letters from folks who are amazed that this magazine arrives to them for free. Well, it's actually very simple: you pay for...
This is a fascinating article about a brand new study in human auditory perception that is showing that there have been "naive" applications of mathematical formulas onto our understanding of human auditory perception. I cannot claim to...
