Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Our compatriots over at Australia's fine Audio Technology magazine posted this video of a visit to Behringer City. See Video Here.
It's a curious visit and Chris Holder offers some good insight into this man and his company. Thanks to Steven...
The Decemberists' ninth album, As It Ever Was, So It Will Be Again, is out now. In 2003 I got a call from Colin Meloy about maybe recording his band, The Decemberists. Tape Op contributor, Adam Selzer, had already recorded some tracks for what...
By November 24th we will have installed a new Rupert Neve Designs 5088 console at my studio, Jackpot! Recording Studio, in Portland, OR. Excited? Of course. And look, no EQ, no preamps and no automation. Just pure, perfect analog mixdown heaven. You...
Pitchfork TV (some spinoff of the horrible, snotty music crit site) has launched a series called A>D>D.
"The title for the series is based on the ADD/AAD/DDD codes that appeared on compact discs in the late 80s and early 90s, in which ADD...
I'll be doing a "Quickies 6: In the Studio" panel-type thing at SXSW on Saturday, March 20th, 11:00 AM, at the Austin Convention Center, Room 16A. I think you have to sign up for this, so check their website for more info. It'd be cool to meet some...
The worldwide COVID-19 situation is affecting us all at this moment. Years ago I was a gigging musician and restaurant worker, and I feel I essentially still live a gig economy life - depending on Tape Op and studio bookings for personal income....
"...from what I have seen, the industry is fatally flawed. Everyone seems to want something for nothing and few are willing to pay for what something is actually worth. Plus, there are thousands of graduates flooding recording studios each year...