Eddie Ashworth dropped me a line about the work he and many other scholars are doing with the Art of Record Production folks. Be sure to read The Journal for the Art of Record Production online. It's densely full of articles, interviews, reviews...
After reading Larry's "Eliminate Variables" End Rant from last issue, I was compelled to write a response. Don't get me wrong, I agree completely with everything he said; so before you read any further, revisit the back page of issue #92. I...
With 3 number one albums in 2012, Grammy winning mix engineer Ruadhri Cushnan is at the top of this game. Shortly after Mumford and Sons' album "Babel" was awarded 'Album of the Year' at the Grammys, Ruahdri made time in his busy schedule to chat...
A few months back while on a call with Tape Op publisher John Baccigaluppi, he mentioned that he was working on an album project where the majority of the sounds were generated by his cat Raspy. That is not to say that Raspy actually sat down...
Larry’s intro to issue #71 was one of his most important notes for engineers in a long time. It’s easy to press play, but not pay attention to the audio hitting our ears. (Have you ever read a book and found your eyes are scanning over...
My pal Howard Bilerman of Hotel2Tango studios in Montreal is hosting and interviewing for this excellent event. It's in conjunction with the fantastic PopMontreal music fest. OCTOBER 2nd, 4:30pm. The secret you get here is that "the following day,...
We interviewed Jim Keller of Sondhus in issue #142. Sondhus (SAHN - duss) is an architectural acoustics design and build firm specializing in recording studios. They have designed and built studios for the likes of Depeche Mode, Apple, Heba Kadry,...
I didn't do this video. But the guy who did must be spying on me. You can replace the style of music with any style, but the conversation is the same. (Recording Engineers, you can replace mastering with 'my friend has a hacked copy of Cubase.') ...
