Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Weirdest email to Tape Op ever? This one takes the cake. Delusional. -Larry
From: XXXXXXX
Date: June 18, 2011 12:56:02 PM PDTTo: larry@tapeop.comSubject: LETTER OF INQUIREHope that Mr. Larry Crane will receive this...
What another great year for music! It is always a challenge to sit down, reflect and try to narrow down all our favorite albums of the year (let alone a full decade!) into a simple list. Here at Tape Op we are frequently making music suggestions...
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The FMC is "a small, Washington, D.C.-based non-profit that fights to get musicians a seat at the table in debates about the future of music. FMC's HINT (Health Insurance Navigation Tool) program,...
by Alex Maiolo
One of our patron saints of recording, Mitch Easter [Tape Op #21], turns 70 today. That's almost irrelevant, as this treasure of a human should be celebrated every day, but it prompted me to write about his impact.
Like anyone,...
Submissions are now being accepted for Silver Sound's 3rd Annual Music Video Film Festival + Band Battle, taking place on January 10th, 2012 at Brooklyn Bowl. Silver Sound is a studio in NY that provides production, post-production, and live sound...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
When we ran a page featuring senior contributor Garrett Haines' "Building Troubleshooting Skills" in Tape Op #84 I never expected to get the kind of replies we did below. The Letters section for upcoming issues was too full, so I'm posting these...
Every year at about this time Tape Op Magazine sends out a holiday card to our writers and advertisers as a bit of cheer. This year, in thinking about those in our communities who are struggling, we have opted not to do a card and instead make a...
A while back I had an interesting session recording auditions and providing camera audio feed over the course of three days for 24 instrumental and vocal performers, all of whom were hoping to get on the roster with Cirque du Soleil. Roger...