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Brittany Howard and Shawn Everett on Tracking "Goat Head"
by Geoff Stanfield
Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head". Read the full interview HERE
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How the Free Economy is Affecting the Recording Community
by Allen Farmelo
I just read an excellent new essay called The Case Against Free in which the author suggests that the "free economy" is drying up the economic resources needed to make quality creative works. The article focuses on recordings. It's a well...
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Jackpot! Recording Studio and Jackpot Records Joint 15th Anniversary Party Celebration
by Larry Crane
Dear Tape Op reader:Some folks might not know how inextricably connected Tape Op editor Larry Crane's recording studios have been to the history of Tape Op Magazine. His first home studio, Laundry Rules, was in a Portland basement at 33rd and...
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The Origin of Tape Op Magazine
by Geoff Stanfield
by Larry Crane In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...
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Quincy Jones: 1933-2024
by Geoff Stanfield
Popular music owes a serious debt to Quincy Jones, and he rightly has a place on the list of greatest music producers of all time. He passed away November 3rd, at the age of 91. I was listening to Quincy Jones before I even knew I was listening to...
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Album Credits Are Just As Important As the Money We Make
by Larry Crane
Below is a Guest Post from Jim Janik: Album Credits Are Just As Important As the Money We Make (maybe more so) by: Jim Janik Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
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MIXING IN THE BOX
by Larry Crane
I recently mixed my first album entirely on my laptop. Yeah, maybe I'm a decade behind the curve but I also own a studio and have done a majority of my work there. On this job we were attempting to cut and mix a record in three days and we didn't...
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All In
by Larry Crane
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
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"Give Me A Hammer": Why the Audio Industry Needs Simple, Stable Tools More Now Than Ever
by John Baccigaluppi
It was at a recent trade show, after a major DAW manufacturer cancelled our meeting, that I realized I was relieved to be off the hook. I always enjoy meeting with this person, and I use and like their products. But I was relieved to not hear...