Artist/writer Keri Smith came up with this list some time back and it took on a life of its own. During a chat a client showed this to me as we were discussing being a musician and people that were "unhappy" with their lack of success. This sure seems to apply...
Now that the Tape Op iPad app is available, we've been trying to figure out the best ways to get the magazine to other digital formats. Expansion to other full-fledged tablets (Android, etc) is a fairly straightforward - if laborious - process, in...
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RZA releases A Ballet Through Mud, an orchestral work of 11 pieces performed by the Colorado Symphony Orchestra, and conducted by Christopher Dragon. Sam Retzer did an extensive interview with RZA in the most recent issue of Tape Op, discussing...
Still openings: Larry Crane Recording Workshop in Portland, Aug 17/18, 2013 at Jackpot! Recording Studio. http://bit.ly/13sJ0Ds
I'm posting this for John as he's finishing up the next issue of Tape Op. -LC John Baccigaluppi's 2008 AES Surf Report This year's AES show in San Francisco was a lot of fun. The day before the show, I drove with our UK publisher Al Lawson and his...
Fievel Is Glauque New Album: Rong Weicknes by Sam Retzer Fievel Is Glauque is the trans-Atlantic duo of keyboardist Zach Phillips (Brooklyn) and vocalist Ma Clément (Brussels), who lead a “series of live bands” to...
An Osees album with no guitars??? Yes, you heard that right, but fans of the band need not worry! SORCS 80 has all of the experimental punk rock attitude and delivery the band is known for, only on this album it's framed by heavy synths, bass,...
Below is a Guest Post from Jim Janik: Album Credits Are Just As Important As the Money We Make (maybe more so) by: Jim Janik Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
Check out the latest episode of our Creative Recording with Tape Op video series. Tape Op's editor, Larry Crane, and our online publisher, Geoff Stanfield discuss the oft-debated topic of how to pan the drums when mixing!
Since putting a pair of these modules in the rack it is has been a struggle to choose whether or not they go on the vocal or the mix. The vocal ususally wins, but it's a tough call. It doesn't take much to give your lead or bgv's that special...
