John Cuniberti records artists in the "OneMic" series with a single AEA R88 stereo ribbon mic. Results? Impressive!
I came across Blitzen Trapper's self-titled debut album back in 2003, and have followed their career and counted myself as a fan since. I interviewed the band's leader, songwriter, and producer Eric Earley about his 2020 release, Holy Smokes Future...
A lot of you have probably heard the term “microphonic tubes.” But have you ever heard one in action? They actually turn into little microphones. (Hence the name). So, this week I decided to replace the input tubes on my Manley...
I got an email the other day from a PR person looking for Tape Op to write an article about several "known" engineer/producers and their drum recording techniques in the studio. These guys are known, and one of them we've written about and I think...
This past September, I attended the inaugural A3Exchange in Boston and had one of the most enjoyable conference experiences in years. A small team of forward thinkers, under the leadership of Paul Sitar, is putting together an "exchange" for...
Craig Schumacher, one of the country's best engineer/producers and our intrepid gear reviewer and former head of TapeOpCon has been dealing with head and neck cancer recently. He's doing better after treatment but needs help catching up on bills...
April 15th marks the 25th anniversary of Tape Op Magazine! To mark the occasion, Tape Op founder and editor Larry Crane is making a series of short videos talking about the journey of the mag and some of the memories had along the...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio. The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing? Music and Auditory illusions are discussed in the New Scientist
I finally figured out what makes for a successful tracking session: simply eliminate the variables. On one level this could be seen as pre-production combined with concise decision making. Certainly those can help - but what I'm talking about is...
"First off, I really enjoy reading Tape Op. I have read it since I was in 8th grade (2001)." I never imagined I'd get an email that began like this. I will be 46 in May. Tape Op entered its 14th year in April. Jackpot! Recording Studio is over 14...
