Looking forward to seeing many of you at this year's AES convention in NYC!
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Larry’s intro to issue #71 was one of his most important notes for engineers in a long time. It’s easy to press play, but not pay attention to the audio hitting our ears. (Have you ever read a book and found your eyes are scanning over...
It is often challenging within a review period to fully explore a piece of gear and integrate it into the daily workflow. It's not that reviewers won't use the feature set and put it to task in at least a few applications, but to truly get to know...
My friend, sts is the Program Director and an instructor at The Rock ’n’ Roll Camp for Girls. They’re currently building up their recording program, Rock Camp Studio and the "Recording Engineer Track" studies and are looking for...
Link here for a free pass to the 127th AES Convention in New York City, Oct. 9-12, for “Exhibits Only” registration. Come on down and visit the Tape Op booth and harass us about missing issues or why we don't review your CDs or write...
Wade Baynham of The Second Story studio in Durham, NC, posted a nice piece about Ethan's End Rant in issue #88.
by John Baccigaluppi We recently did an interview with producer Larry Klein that will run in an issue of Tape Op in 2020, but here's an excerpt about a recently-released project he worked on called Beyond Music. A couple of years ago, these...
Well, not my maker but the man behind the baby that is our RND5088 console at Jackpot! I got to spend a little time (and a photoshoot) with Rupert Neve at The Magic Shop in NYC during the AES convention last week. Thanks to Steve Rosenthal for...
Tape Op contributor Allen Farmelo sent us this thoughtful piece on why the mag doesn't feature many "negative" reviews. Makes sense to me. I imagine anyone out there wanting us to write reviews ripping apart gear all the time still might come up...
Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head". Read the full interview HERE
