Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more traditional sounding tracks "Takoba" and "Imajighen", the album pushes the Toureg blues/rock genre into new territory, both sonically and musically. Funeral for Justice was produced by Mikey Coltun, who also plays bass in the band, and the album was mastered by Heba Kadry.
When I was younger and flat broke, I was offered a place to stay in my friends' house. It was a room in an old, unfinished basement, and I thought it'd be nice to have some walls. Being without funds to hire anyone, I decided I could probably...
Check out the new St. Vincent LP, All Born Screaming, and video for the track "Broken Man" out now. The album was recorded and mixed by Cian Riordan who interviewed Annie Clark (aka St. Vincent) for Tape Op #134.
Read the Tape Op...
by Alex Maiolo
One of our patron saints of recording, Mitch Easter [Tape Op #21], turns 70 today. That's almost irrelevant, as this treasure of a human should be celebrated every day, but it prompted me to write about his impact.
Like anyone,...
The Smart Studios Story
Wendy Schneider, director
At this point, Butch Vig [Tape Op #11] and Smart Studios are the stuff of legend. From the album that destroyed music’s status quo (Nirvana’s Nevermind), to Smashing Pumpkin's Gish...
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Baby...
It's officially December, so go ahead and break out the holiday music! Here are a few favs getting spins in the Tape Op homes.
Ella Fitzgerald - Ella Wishes You a Swingin' ChristmasListen on Spotify
Trio West - Holiday...
Our pal, Marc Bianchi of Her Space Holiday is guest editing Magnet Magazine this week. He has some nice things to say about Tape Op, and as one of our original readers we thank him for the log time support and writing about us. Plus adding the video...
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold?
I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...