Tape Op Interview with John Cale
I'll be attending and pretending to be a panelist at The 2nd Annual Recording Summit in Nashville, held Nov 12-14 at Welcome to 1979 Studios. Check the link above to become part of this crazy cool event!
That’s right, somehow a lowly engineer and magazine editor that can’t even type has been asked to read some excerpts from Tape Op: The Book About Creative Music Recording Vol. II and moderate a panel at world-renowned literary event,...
Art is Alive is a solidarity effort aimed at providing resources, spreading awareness and building connectedness within the artistic and creative freelance communities impacted by the 2020 COVID-19 pandemic. Created by artist Rhiannon Giddens, and...
Caro Snatch did this interesting online interview with Robert Henke from Monolake on her site. An interesting note is that he created this album, Silence, "without any compression." Well, yeah, uh, if you work in the box and want to draw/automate...
If you're sending tracks to other folks for mixing and/or sorting out, here's a suggestion from our pal Goat(boy), Andrew Gilchrist. -LC Larry, Sitting on a plane, flying today from Spain to Switzerland, on my seemingly endless tour. Finally...
Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head". Read the full interview HERE
John Caroll Kirby - Septet It is a great time for music and recording. The pandemic drove many artists into their bedrooms and living spaces to make recordings and others figured out ways to get into studios safely. I get a load of new...
My best friend and business partner, John Baccigaluppi, is moving out of the old building that houses his studio The Hangar (along with his Tape Op office) and had been part of his life since 1990. I played on some of the earliest records from...
Many of us appreciate the need for acoustic treatments, but few really understand some of the reasons behind it all. The problem is acoustics is a discipline of physics, and physics is often enshrouded in math, complex calculations, and...
