Take a look and listen below!
Read Tape Op's Interview with bandleader Eblis Álvarez.
Brian Charles and his friends at Zippah Studios are recording in the style of past hits, and then detailing how they did it. It's a weekly series. The latest post, in which they take an original song by Aaron Perrino (The Sheila Divine, Dear Leader)...
Craig Schumacher, one of the country's best engineer/producers and our intrepid gear reviewer and former head of TapeOpCon has been dealing with head and neck cancer recently. He's doing better after treatment but needs help catching up on bills...
The husband and wife partnership of Alan Sparhawk and Mimi Parker will forever be remembered for their work in the band Low. Their remarkable vocal harmonies always told a story of a long and storied relationship that went far beyond the music and...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
Dear Tape Op Readers, As you know many of our family, friends and colleagues on the East Coast have been hit hard by Hurricane Sandy last week. Led by Ken Bogdanowicz of Sound Toys, several of our advertisers have joined together to help raise...
My pal David Lowery (Cracker/Camper Van Beethoven) has been doing a cool blog called 300 Songs, telling stories of how songs came about and other crazy stories. The most recent one is about the late Don Smith, who produced and engineered a bunch of...
We interviewed Loma in Tape Op issue #148 and spoke with members Dan Duszynski, Emily Cross, and Jonathan Meiburg about their recording process. Emily also did the cover art for that issue, and Jonathan is also a member of Shearwater and a Tape...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
I'm in the middle of cataloging 1.5 TB of audio files. This is the work I do for the Estate of Elliott Smith. Two computers keep Pro Tools on the top one and FileMaker Pro and Excel for track sheets on the bottom one. Otherwise the MacBook Pro...
