Ivan Anderson reviewed the Red Panda BitMap 2 pedal in the latest issue of Tape Op, but he also makes great and highly entertaining videos for many of his reviews. Enjoy!
We are excited to announce Creative Recording With Tape Op. This video series covers a wide range of recording and mixing topics, concepts, and solutions. We look forward to sharing these conversations with you in the coming weeks and months, but...
I recently found myself diving back into the Little Feat catalog, and came across a documentary on the band's founder, guitarist, and frontman Lowell George, called Feats First - The Life & Music of Lowell George. Music docs, especially on the...
Take a look/listen to the new video and single "Didn’t" (feat. Cavetown) from Sarah Tudzin, aka illuminati hotties, from their upcoming LP, Power. Sadie Dupuis of Speedy Ortiz and Sad13, interviewed Sarah for Tape Op #145 and you can...
We interviewed producer and guitarist Blake Mills in Tape Op #115 and for our podcast in 2019. He’s produced newly-released records for both Lucy Dacus – Forever is a Feeling – and Perfume Genius...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
Rochester, NY’s The Chesterfield Kings have been leading their own garage rock revival since the late ‘70s. The new LP, We're Still All The Same, was recorded at Fab Gear Studios in Rochester, NY, and produced by Ed Stasium (Tape Op...
Excellent mini-documnetary The Psychology of Analogue, featuring Julie McLarnon. Definetly worth 30 minutes of your time!
Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op!Be sure to head on over to our YouTube channel and hit the subscribe and like buttons!Episode made possible with support from BURL...
Every few years it seems time to give a brief explanation of how Tape Op Magazine "works." We constantly get letters from folks who are amazed that this magazine arrives to them for free. Well, it's actually very simple: you pay for...
