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"A Recording Studio is No Place For Democracy"
by Larry Crane
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
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A letter from Tape Op's Publisher
by John Baccigaluppi
Dear Tape Op Reader, We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business. Short version: We are cutting our ad rates nearly in half. Why? Here's the long version: Tape Op is an...
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The Art of Listening Documentary
by Geoff Stanfield
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Surfing with Don Zientara
by Geoff Stanfield
By John BaccigaluppiPhotos by Cynthia Connolly If you haven't yet, check out Larry's review in this issue for some insight into the recently published book, The Inner Ear of Don Zientara. I hope you know who Don is. As Ted Nicely says in the book,...
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Album Credits Are Just As Important As the Money We Make
by Larry Crane
Below is a Guest Post from Jim Janik: Album Credits Are Just As Important As the Money We Make (maybe more so) by: Jim Janik Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
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AES 2019 in NYC
by Geoff Stanfield
Looking forward to seeing many of you at this year's AES convention in NYC! CLICK HERE to get your free badge courtesy of Tape Op!
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Monomulator: Monome on the cheap
by Vijith Assar
In issue #62, Josh Boughey reviewed the Monome 40h, a minimalist button-and-light interface which can be used to run musical applications. It's absolutely captivating in its simplicity; I'm writing this as an outsider, but as far as I can tell, the...
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Phill Brown's "Are We Still Rolling?"
by Larry Crane
I just wanted to make sure everyone knows that we have finally published Phill Brown's book. In issue #12 Larry Crane and Chris Eckman interviewed Phill Brown, a producer/engineer with credits like Mott the Hoople, David Bowie, Sly Stone, Led...
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Mr. Oliver Has Left the Building: Vaughan Oliver / 1957-2019
by Geoff Stanfield
by John Baccigaluppi It may not be obvious, but as this magazine’s graphic designer, the recently passed Vaughan Oliver was a major influence on the look of Tape Op Magazine. Being someone who’s not involved with social media, and as...