Take a look and listen below!
Read Tape Op's Interview with bandleader Eblis Álvarez.
There were so many great records released this year, in fact too many to make a definitve and exhaustive list, but here are a few favorites from the Tape Op family. Consider it a tasting menu and have a great holiday! Click link to listen! Larry...
I’m normally not that into live albums, but Nils Frahm is not a normal musician. I saw him play live in 2018 when I interviewed him for Tape Op, and it was hard to believe that he was the only musician on stage. Blending electronic elements...
What another great year for music! It is always a challenge to sit down, reflect and try to narrow down all our favorite albums of the year (let alone a full decade!) into a simple list. Here at Tape Op we are frequently making music suggestions...
My friend, sts is the Program Director and an instructor at The Rock ’n’ Roll Camp for Girls. They’re currently building up their recording program, Rock Camp Studio and the "Recording Engineer Track" studies and are looking for...
Steve AlbiniRemembered by Larry Crane On Jan 19, 1987, I clambered aboard a yacht in Emeryville, CA, to interview Steve Albini and the band Big Black for BravEar Magazine, a conversation that unfortunately was never published due to the mag folding...
Watch the latest episode of the Creative Recording With Tape Op series! Editor Larry Crane and Online Publisher Geoff Stanfield dig into the idea of keeping it simple. Episode made possible with support from Earthworks Audio. Be...
Al Kooper produced this band in the '80s. They really knew how to argue - with him, with each other and probably with anyone in a ten-mile radius. Al edited out the music and kept the wonderful conversation, releasing it on one of his limited (300...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
