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In the never-ending, century-old battle between corporations and content producers: I give you the latest bit of pro-artist activism. This is taken directly from the Grammy Foundation's website: Tell Congress to Save Music and Stop the "Pandora...
Since putting a pair of these modules in the rack it is has been a struggle to choose whether or not they go on the vocal or the mix. The vocal ususally wins, but it's a tough call. It doesn't take much to give your lead or bgv's that special...
For those that couldn't make it, we'd like to report that the Tape Op Party held during SXSW at the Beauty Bar on March 19th, 2010 was a freaking blast. We had a wonderful set by the band Quasi, DJ sets by Ian McLagan, Rebecca Gates, Richard Barone...
Matt Fordham did the great interview with Buddy Miller in Tape Op #34. He also has this great blog, Record Ready, with video tutorials on recording techniques and tips. Many are Pro Tools based, in case you're looking for help in that department. He...
Spring has sprung in the Northwest, which means it's still raining, and possibly snowing with a few stellar sunny days thrown in for good measure. The trees are leafing out and there is that lovely dusting of pollen and fallen cherry blossoms on...
Popular music owes a serious debt to Quincy Jones, and he rightly has a place on the list of greatest music producers of all time. He passed away November 3rd, at the age of 91. I was listening to Quincy Jones before I even knew I was listening to...
Support the Future of Music Coalition! [donate!] The FMC is "a small, Washington, D.C.-based non-profit that fights to get musicians a seat at the table in debates about the future of music. FMC's HINT (Health Insurance Navigation Tool) program,...
It's that time of year again! The Grammy nominations are out and it's always fun to see a bunch of folks we have interviewed in Tape Op on the list. Here are the nominee's for Best Engineered Album, Non-Classical: Lucky Daye...
Going through some archives I came across this priceless piece of history: its the rate card from the studio my friends and I used to go to. You can see it here:. After years of nagging, we did get him to discount our rate to $50 an hour,...
