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Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
Simultaneously making apparent the depths of both my dorkiness and my loyalty, I steadfastly stood by Imogen Heap's "Hide and Seek" all through its various tribulations over the last couple years -- first with its questionable placement on the OC,...
I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new...
Photo: Larry Crane The recent passing of Ed Cherney sent me to my archives. I'd interviewed Ed many years ago and he asked me not to run it. We went back and forth about it, and I never understood why he didn't want this interview in Tape Op....
Hey lucky Tape Op website forager: I've got an extra goodie bag from the Tape Op Party we held in March during SXSW. I don't have the full selection of swag, but I'll thrown in a couple of the SoundToys "special tin can of awesomeness" items which...
During one of the many calls I have on a regular basis with my musician and audio professional friends, it dawned on me what a priveldge these conversations are and thought it might be a good idea to share them with a larger audience as a way to take...
Going through some archives I came across this priceless piece of history: its the rate card from the studio my friends and I used to go to. You can see it here:. After years of nagging, we did get him to discount our rate to $50 an hour,...
by John Baccigaluppi We recently did an interview with producer Larry Klein that will run in an issue of Tape Op in 2020, but here's an excerpt about a recently-released project he worked on called Beyond Music. A couple of years ago, these...
