I'm posting this for John as he's finishing up the next issue of Tape Op. -LC John Baccigaluppi's 2008 AES Surf Report This year's AES show in San Francisco was a lot of fun. The day before the show, I drove with our UK publisher Al Lawson and his...
Members of Tortoise have graced the pages of Tape Op for years. We interviewed John McEntire in 2001 for issue #23, and more recently we covered Jeff Parker's ETA IVtet album Way Out Of Easy. Although it is just one song, I was excited to see...
I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new...
You saw it here first! In this video, we step into Adrian Quesada's (Black Pumas, Grupo Fantasma) Electric Deluxe Studio for an in depth breakdown of "Mentiras Con Cariño, the single from his latest release Boleros...
Link here for a free pass to the 127th AES Convention in New York City, Oct. 9-12, for “Exhibits Only” registration. Come on down and visit the Tape Op booth and harass us about missing issues or why we don't review your CDs or write...
Our pal Ronan Chris Murphy does this cool "TV" show on his site, http://ronansrecordingshow.com, and the most recent one is with me and John Baccigaluppi where we talk about Tape Op Magazine. I think it's a good insight into how the mag works and who...
Bass player Herbie Flowers had a front row seat for some of the most iconic recordings of the late sixties and seventies. He played on a staggering number of classic albums from artists such as David Bowie, Elton John, George Harrison, Harry...
Geoff Stanfield and Andy Hong add an update to the original Meris Mercury7 Reverb review by Adam Kagan. GS: I am a fan of the Meris line of gear. They are a small shop who builds their high-quality modules in Los Angeles. I have reviewed the Meris...
"...from what I have seen, the industry is fatally flawed. Everyone seems to want something for nothing and few are willing to pay for what something is actually worth. Plus, there are thousands of graduates flooding recording studios each year...
