Looking forward to seeing many of you at this year's AES convention in NYC!
CLICK HERE to get your free badge courtesy of Tape Op!
Looking forward to seeing many of you at this year's AES convention in NYC!
CLICK HERE to get your free badge courtesy of Tape Op!
Dear Tape Op Reader, We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business. Short version: We are cutting our ad rates nearly in half. Why? Here's the long version: Tape Op is an...
By John BaccigaluppiPhotos by Cynthia Connolly If you haven't yet, check out Larry's review in this issue for some insight into the recently published book, The Inner Ear of Don Zientara. I hope you know who Don is. As Ted Nicely says in the book,...
Wade Baynham of The Second Story studio in Durham, NC, posted a nice piece about Ethan's End Rant in issue #88.
It's that time of year again where we go back through our digital listening histories or simply look over at the turntable to get a handle on just what we were enjoying this past year. There were a ton of great releases this year, many of them...
In February 2000, I was lucky enough to record the legendary Australian group, The Go-Betweens, for their "comeback" album, The Friends of Rachel Worth. I'd done an interview with Robert Forster for Tape Op the year before, which – along with...
Nice piece in the Detroit Free Press about audio and electronics guru Norman Druce who died October 6th....
Here is a list of some of the books on recording and music that we have added to the reading (or re-reading!) queue recently. Are We Still Rolling?by Phill BrownGreat studio session stories about The Rolling Stones, Talk Talk, Hendrix, Led...
There has been a heightened interest lately in using stompboxes and pedals as part of the mixing process. There are a few ways to interface your pedals with your system, but here is a quick video on how I do it using the Meris 440 500 series mic-pre....
A pal who deals in pro audio recording gear (some good shit) sent an email our way complaining about people recording with cheap gear at home and the inevitable loss that this presents to the pro audio industry. My response: XXX, Look on the Tape...