Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op! Be sure to head on over to our YouTube channel and hit the subscribe and like buttons! Episode made possible with support from BURL Audio!
Tape Op is a bi-monthly magazine devoted to the art of record making.
I'm in the middle of cataloging 1.5 TB of audio files. This is the work I do for the Estate of Elliott Smith. Two computers keep Pro Tools on the top one and FileMaker Pro and Excel for track sheets on the bottom one. Otherwise the MacBook Pro...
My friend, sts is the Program Director and an instructor at The Rock ’n’ Roll Camp for Girls. They’re currently building up their recording program, Rock Camp Studio and the "Recording Engineer Track" studies and are looking for...
Here’s a fun and upbeat track from an unlikely collaboration between John Legend and Sufjan Stevens. Check out the first single “L-O-V-E” that features Legend’s wife Chrissy Teigen and their children along with Sufjan...
I thought I'd seen it all until I heard about collectors that pass around bootlegged copies of the test tones and bias pads from all genres of artists and albums. From an article in MOJO this month:
"Sorting their collections by "tones at head" or...
To accompany the new documentary film, Eno, a career spanning soundtrack has also been released. It is a 17-track album that dips into many eras of his 50 year solo career. We recommend checking out all of Eno's solo recordings,...
Ivan Anderson reviewed the Red Panda BitMap 2 pedal in the latest issue of Tape Op, but he also makes great and highly entertaining videos for many of his reviews. Enjoy!
With news of Neil Young pushing to get studio quality audio out to the consumer, it occurred to me that it would be good to get some perspective on how we go about comparing audio quality. One of the most problematic issues surrounding audio...
During this year's SXSW music festival someone asked me how many times I'd been to Austin, Texas, for this event. I had no idea. Eight? Ten? Since the mid-'90s I've certainly attended many times, most as a panelist, but always as a music fan. And...