Windows 10
by Andy Hong
The nascence of my music-technology career goes back to high school, when I wrote a 1-bit sampling drum-machine program for my Apple ][+, utilizing the computer's cassette-tape storage port as the A/D...
The nascence of my music-technology career goes back to high school, when I wrote a 1-bit sampling drum-machine program for my Apple ][+, utilizing the computer's cassette-tape storage port as the A/D...
In the previous issue, I discussed how I had successfully employed a $25 car-audio EQ as a sidechain EQ for stereo bus compression. It was a cheap and highly effective solution, but it had its...
The band E was in my studio recently. Thalia Zedek (Come), Jason Sanford (Neptune), and Gavin McCarthy (Karate) are all extremely dynamic performers, but even during quiet moments, their instruments...
When I'm reviewing gear, audio analysis software like FuzzMeasure [this issue] gives me the ability to resolve differences in sound quality and consequently use objective language when conveying those...
I can remember back in 2002, when I first joined the Tape Op team as Reviews Editor, ribbon mics were relatively rare, and even new ones, like the now ubiquitous Royer Labs R-12, weren't too often...
The other day, the blower motor of my studio's HVAC system died. The air handler is a large-volume, low-velocity unit (to minimize noise), and the access panel in the wall wasn't large enough to...
I've mentioned before that one of the goals of Tape Op Gear Reviews is to educate our readers. In other words, we strive to publish reviews that are just as informative about recording techniques as...
Let's talk about tape — not the kind that you record on, but the kind that's sticky. Or actually, the kind that's sort of sticky — tape that's used to mount, attach, or repair things, but...
Allen Farmelo has been writing Tape Op gear reviews for a decade. His reviews are always engaging, educational, and importantly, inspirational. Allen always seems to find an arc up to a concept,...
When I saw Hüsker Dü and Soul Asylum perform at the Paradise Rock Club in Boston in 1986, the bands were loud enough to cause physical pain to my ears. The high frequencies were especially...
This past September, I attended the inaugural A3Exchange (www.a3exchange.com) in Boston and had one of the most enjoyable conference experiences in years. A small team of forward thinkers, under the...
A special installment featuring two guest editorials from JB! -AH I'm not much of a fan of software synths that work as DAW plug-ins. I've tried virtual instruments from Arturia, UVI, GForce, and...