TOC Intro #106
by Larry Crane
As we move through life, and add a few years to our experiences, it's only natural that we start losing friends along the way. We are all merely mortal. The last several months have been brutal. We...
As we move through life, and add a few years to our experiences, it's only natural that we start losing friends along the way. We are all merely mortal. The last several months have been brutal. We...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time...
When we're recording music, it always feels like there's never enough time. Whenever I finish a mix, or an entire album, I always think, "But what if we'd had more time?" We could explore more...
I've pulled together a collection of recent thoughts I've had about the recording process. You can agree or not agree. The important thing is to use your ears, mind, and creativity to make great...
Every two months I have to pull myself out of the studio and take some time to put together an issue of Tape Op. In many ways it's a nice break from constant sessions, plus poring over the interviews...
Why is it these days that people (especially mainstream media) constantly refer to musicians being able to record at home as if it's a recent development? Home recording has been happening nearly as...
Last issue we ran John La Grou's article, "The Future of Audio Engineering." In John's look ahead we see a harrowing glimpse of a world where the audio engineer, composer, and musicians are possibly...
Now that Tape Op has passed the 100th issue mark and survived 18 years, the astute among you may have noticed some changes. We now offer a FREE protected PDF subscription version of Tape Op,...
It's getting late. We've been working on this album off and on for months. We're nearing the end of the last mix, and it's sounding pretty good. It came together fairly easily, as we'd carefully...
This issue marks the occasion of our 100th issue of Tape Op. As I sat on my front steps 18 years ago, spray painting photocopied magazine covers by hand, I never would've imagined that my crazy little...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those...
Why record? It's always good to remember that music recording isn't only about the making of albums and songs to send into the commercial marketplace. Sometimes we simply need to capture a unique...