But Who’s Gonna Pay You?
by Larry Crane
From a letter from contributor and reader Lou Carlozo: "I'm at a crossroads. I have a professional home studio that continues to grow and has done well in the Chicago market. I'm blessed to work...
From a letter from contributor and reader Lou Carlozo: "I'm at a crossroads. I have a professional home studio that continues to grow and has done well in the Chicago market. I'm blessed to work...
"I'm currently a junior in high school, and I have a lot of interest in recording and how a studio and the equipment in a studio works — I'd even like to open my own studio one day. There's only...
Here's my ultimate confession: I'm finally getting knee deep in the world of digital recording. Yeah, I put it off for years, not wanting to have to learn about different platforms, hardware,...
When I interviewed Steve Fisk in 1996 for Tape Op #3, one of the answers he gave for situations that made recording sessions go poorly was, "people dying." I remember thinking this was a heavy...
The first time I heard an MP3 I was completely unimpressed. I had received a CD of tracks from a new, hopeful digital music web site (now long gone) at a music conference tradeshow. Hillary Johnson...
In the creepy back room of my studio is an old plastic mail tub that we've nicknamed the "money maker". Why the "money maker"? Well, this tub is full of percussion instruments, like tambourines,...
A few months ago I started a session with a local band. While booking the time, the singer/guitarist told me one of the main reasons he was coming to record with me. It turns out that a year...
When I was a kid my mom worked with ceramics. She had a business, out of our home, where she made incense holders, "pencil pots" and other small, hand-made items that sold pretty well in the...
I was working on a two-week session for the upcoming fifth Richmond Fontaine album in November, engineering with J.D. Foster producing. One of the first things that J.D. did when we arrived at the...
One part of running a recording studio is dealing with the booking of studio time, fielding the phone calls and talking with "potential clients". Most of this is fine, chatting with folks about...
The other night I finished a session which got me thinking. The project I was working on wasn't all that interesting to me, in fact I doubt anyone besides the artist involved will ever find much...
Okay, here's the rant I've been building up on for years and during the Tape Op Conference it came up a few times. What the fuck is wrong with some of you engineers out there that can't be bothered...