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interviews
exclusives from the web
Dave Amels
by John Baccigaluppi
I first met Dave Amels of Bomb Factory and Vocé in Nashville at the NAMM show last year. People kept telling me "You need to meet Dave and interview him for Tape Op." We ended up chatting for a...
Mastering with John Cuniberti
by Allen Whitman
Would you first give your definition of mastering and why it matters? Mastering is the last creative process in the chain and the final technical check before duplication. Creatively, an artist can...
Bob Mould
by Bill Gladfelter
Between 1979 and 1998 Bob Mould put out 14 records with his two amazing bands, Hüsker Dü and Sugar, and five solo records, influencing the course of music with his enraged, swirling guitars...
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Peter Visser of Bettie Serveert
by Larry Crane
I've been sitting on this interview so long that a new CD, attagirl, has already been released. Check out any of their albums to hear the best band in The Netherlands!Is Log 22 the first record you...
What I Learned In Recording School
by Jeremiah Cymerman
Back in the golden days of Sun Studios and Gold Star, when recording was still a new enterprise, in order to be a recording engineer you had to actually be an engineer. Before you...
Russell Frehling Expanded
by Steve Silverstein
I contacted Russell Frehling for a sidebar to my interview with composer Pauline Oliveros. To accompany the Oliveros article, I wanted to include a profile of Deep Listening Space's...
Harvey and Alex Gerst
by Kent Powell
Harvey Gerst has been a major-label musician (the Villagers, Sweetwater), hit songwriter (the Byrds), product designer (Acoustic, JBL), engineer, and producer. I his 60's, he...
Oranger
by Ian Swanke
Oranger may be the best self produced, home recorded band you've never heard of. When they aren't on tour with Elliott Smith, Wilco, The Apples In Stereo or R.E.M, they're tucked away in a foggy...