One of the best things about using a dedicated recording chain is that it frees up inputs and busses on your mixing console. It's also impossible to accidentally "buss" some other audio into your recording when you forgot a pushed buss button somewhere on your board. I have discovered this snag coming into a session and I have said as cheerful as possible: "I hope you like your bass part because it got recorded along with your vocal on the same track!" The Applied Research and Technology Pro Channel is a three-in-one box that contains the ART MPA mic pre-amp, the Pro VLA optical compressor and the Tube EQ parametric equalizer. You can plug in your best mic or take any instrument direct by way of the front panel 1/4" jack and then output directly to your recording deck... completely bypassing your mixer. The mic pre has plenty of gain and the equalizer is a 4 band type with sweep-able mid-range control. The compressor operates in smooth optical mode or you can switch to the more aggressive Variable-Mu mode.
Converters, Interfaces, Mic Preamps | No. 134
B4 Mic/Line Input Card
by Larry Crane
As BURL's Mothership B80 [Tape Op #84] has gained popularity with serious recordists as a flexible system to build your own AD/DA converter interface, there's been need for more daughter card modules...