I've had this in my studio for a few months now but didn't have much chance to use it until recently. To be honest, one of the reasons I didn't use it much is because I have several other mic pres/compressors that cost quite a bit more than this one and that sound really great. But once I finally used this a bit, I was quite impressed. Sonically it holds up quite well next to my more expensive mic-pres and it's much more versatile than any of them, with an expansive array of features. Starting with the input, there's a mic, line or instrument level inputs, a gain pot, 48V power, phase reverse and 100 Hz hi-pass. Next is the dynamics, which has minimal controls but actually works pretty well. The gate, for instance, has only a threshold pot and two-position release switch, which based on other 'simple' gates I've used, I was skeptical about. But, I used it on a bottom snare mic and the gate worked well and the release was very musical sounding. There's also a de-ess feature with a male/female switch and a compressor with threshold and ratio controls (plus make-up gain) that sounds good. One place this unit really shines is the EQ section with a fully parametric mid section that covers most of the needed audio frequencies. This is appreciated, as I've used other channel strips where the EQ leaves a big hole between 200 Hz to 800 Hz that you can't get to and this is where I find myself needing to do a lot of EQ during tracking, particularly cutting low mids. Next comes the three band 'Tubesound" circuit with I was also a bit skeptical about, but which again sounds really good. Without the tubesound, this is a very clean channel. With the tubesound turned up a bit, it starts to show some character more like older British gear. And then finally there's a master output gain to set your level to tape or computer. Overall, I'm pretty impressed with this unit especially for the price. If I was just beginning to put together a studio I would seriously consider picking one of these up. ($629, www.drawmer.com, www.transaudiogroup.com)
Dynamics, Signal Processors | No. 55
STA-LEVEL Gold Edition compressor
by Craig Schumacher
The vintage craze is far from over. The more we try to make audio perfect, the more we realize that imperfection makes more interesting recordings. In many ways, tubes are far less superior to...