At least once a year, a studio will usually make an investment in a piece of gear which is supposed to make their recordings jump light-years in quality. This typically comes with a high price tag, which is why a small studio doesn't do this often. The Pendulum Audio MDP-1 ($2495) is one of these pieces - it can be used for a wide variety of tasks better than anything else on the market. My first encounter with the MDP-1, before I became an owner, was when I started working at the mastering studio where I currently work. My boss was running some particularly cold mixes through it to get some extra harmonics and I thought that maybe he hadn't gotten enough sleep the night before since I had never seen this done. When he showed me the difference I was astounded. Even though the mixes were already going through a variety of tube gear, including the impressive Pendulum 6386 Variable Mu Limiter, they just weren't as open or harmonically rich without the pre in the chain. About a week later he used it again, this time as a distortion unit on some drums. When I did a tracking session in the studio a week or so later I put an acoustic guitar through the MDP-1's "full" transformer (the MDP-1 has two transformer options, one being the Full which presents a more full, airy sound, and the Focused presents a sound that is more present in the mids and focused). This was the first time in my life I had an acoustic guitar sound right. When using tube preamps I was used to things getting a little too tubby for my tastes, as well as having that nice harmonic cloud in there. I always had some issues with the noise floor, but this time there was no noise to be spoken of. With the Pendulum I got the most accurate sound compared with any of the tons of high priced and high quality mic pres I have tried. When taking things up "into the red" I got very clean harmonics, not smooth like a V72's, but just accurate and warm. I am a very big fan of tubes in a vocal chain but not usually of a tube mic into a tube pre. The focused version of the MDP-1 changed my opinion about this. There are plenty of mic pres on the market that do great jobs, but what really blows me away is that compared to other pres I have used, the MDP-1 works better for the more esoteric uses of a mic pre than any other I have comes across. When using the DI for bass the MDP-1 opens up that extra harmonic which makes a bass cut right through the mix. When I get vocals recorded through cheap condensers and lousy mic pres I'll run it back through the MDP-1, and typically get a great result. In this age there is a lot of hype over tubes, and many manufacturers are making products with tubes that don't really honor what a tube pre can really do. When you hear an MDP-1 you finally won't be hearing hype, you'll just hear reality. (www.pendulumaudio.com)
Microphones | No. 96
R88 Mk2 stereo ribbon mic, RPQ500 mic preamp
by Chris Koltay
If you have a pulse and have been making records during the last few decades, then you are aware that Wes Dooley and Audio Engineering Associates have been making the finest ribbon mics available. I...