: Kid A CD
reviewed by Larry Crane
It's not that often a CD comes along that I really have to listen to closely and try and figure out where all the sounds are coming from. This is one. Where OK Computer had interesting textures and...
It's not that often a CD comes along that I really have to listen to closely and try and figure out where all the sounds are coming from. This is one. Where OK Computer had interesting textures and...
I've been buying all the Byrds' reissues, and just today completed my collection. There's some great music, of course, but in the process of being a completist there's always the glimpse into what...
Fontanelle, a Portland, Oregon, quartet which includes orphaned Jessamine offspring Andy Brown and Rex Ritter, paint a bipolar musical landscape that is both soothing and sardonically ominous in a...
Phill Brown, in issue #12, talked with us about his recording styles while he was in the middle of making this record, and it's a great example of his work. With his Talk Talk/Mark Hollis work the...
Pete Ham was a member of Badfinger and this is the second collection of "demo" songs that he recorded at home, in the late '60s and early '70s, on a sound-on-sound Revox 1/4" reel deck. The curious...
I love keyboards, I dig instrumental music, and I like home recordings. Beat Down Sound are drums, bass and keys with a little bit of guitar and one vocal track. The music reminds me of Booker T,...
God, I hate record reviewers, especially the smug, confused bastards that write for little 'zines. They're all gonna (once again) tell us how Bob Pollard and company sold out by going into a fancy...
It has always seemed to me that UK "bands" are a lot less afraid to use effects and such in their recordings compared to their US counterparts. Prolapse are a case in point. These mixes are a study in...
This is an interesting compilation, featuring live radio broadcasts from a local Portland show (on KBOO) from 1991 to 1998. Eternally grumpy Jay Bozich engineered most, affable host Brandon Lieberman...
Some of you might remember a band called Sidecar and their frightening studio horror stories in issue #3 of Tape Op. Sidecar, due to someone else using the name, has now become Poolside, and they have...
As you may have read about in the J. Christian Quick interview elsewhere in this issue, this album was recorded at Stillness Sound Facility on a 16 track 1" recorder in the old house that is...
There's several ways to run a commercial studio. You can be outspoken, you can be highly visible on the local "scene" or you can quietly stay in and do some great work. In Portland, I sometimes feel...