Music Reviews

What we are listening to. Non-critically.

 |  No. 26

: Note Pad #38 and The Invisible Man

reviewed by Larry Crane

Many people consider Don Dixon a record producer, but if you've read his interview in the Tape Op book you'd know that he is first and foremost a musician and songwriter. The Invisible Man came out...

 |  No. 26

: The Argument

reviewed by Larry Crane

How many albums have Fugazi recorded at Inner Ear with Don Zientara? Don't they ever get tired of each other? How come the records always sound so good? How come they always make an album that's a...

 |  No. 26

: Fear Not the Obvious

reviewed by Larry Crane

With a name like the Yayhoos you wouldn't expect to take them seriously, and you don't need to. But they did make a seriously great record. You might remember our pal Eric "Roscoe" Ambel from many...

 |  No. 26

: Shadows on the Sun

reviewed by Larry Crane

Jack Endino [Tape Op #13] is one of the nicest guys. He also makes the loudest fucking records. This is his second album producing Zen Guerilla, recorded at Studio Litho in Seattle, where they must...

 |  No. 26

: Traction

reviewed by Larry Crane

A while back we interviewed Wendy Schnieder, who owns and runs Coney Island Studio in Madison, Wisconsin. This is her band, recorded at her studio, but here's the gist: You see, every time people get...

 |  No. 26

: Too Loud for the Snowman

reviewed by Larry Crane

I confess - here's another occasional Tape Op contributor, Ben London from Seattle. He used to be in a flat-out rock band called Alcohol Funnycar, and here collaborates with his bandmates to create a...

 |  No. 26

: Closed Circuit

reviewed by Larry Crane

One time Peter Jefferies and I stayed up way too late, sitting on my front porch getting drunk. It was then that I realized why I loved this guy's music so much, because we were both big fans of some...

 |  No. 26

: Drawn From Life

reviewed by Larry Crane

Eno is one of my favorite artists and producers, so I usually pony up for every new release. Sometimes I'm a little disappointed lately, like with The Drop, where it just feels a bit uninspired. Drawn...

 |  No. 26

: Antidote

reviewed by Larry Crane

Jenny is a occasional writer for Tape Op, former member of Tsunami, Grenadine and Licorice, and used to run Simple Machines Records (who put out a great booklet on how to release your own album years...

 |  No. 26

: Manic Expressive

reviewed by Larry Crane

Marc Bianchi, the man behind Her Space Holiday, was one of Tape Op's first subscribers, but he doesn't need that to persuade me into enjoying this record. This was recorded at home on 1/2" 8-track,...

 |  No. 26

: Grave Disorder

reviewed by Larry Crane

If the Damned called you to make a record you'd do it. Admit it, as much as you might consider them has-beens the chance to make a record with Dave Vanian's awesome voice or Captain Sensible's crazy...

 |  No. 25

: XtraKcts & ArtifaKcts CD

reviewed by Roman Sokal

King Crimson drummer Pat Mastelotto and Austin, Texas, engineer Bill Munyon have managed to modify their computers into musical electrocardiogram machines that output an array of avant-garde techno...

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