" ... that's as steel guitar driven as this and Goodbye to Language, but I believe they belong together. Venetian Snares x Daniel Lanois Live in Winnipeg Can you talk a little bit about the physical setup? Yes. Well, from the audience's perspective, if ... "
" ... Peter's recommended a great French jazz drummer named Manu Katche. He rolled in and I said, "Can you play this?" [type=left ] Everybody was listening to the same thing. Musicians were hearing their instruments in the room and the engineer would ... "
" You made a temporary exodus from Indiana to California — and you ended up interning at Daniel Lanois' Teatro studio. How did that happen? Well, I was born and raised in Mobile, Alabama, and of course in 6th ... "
" ... glue it back together. Bang, that's your edit! Those are the skills that I got from there. Was this after Daniel Lanois had sold the studio to Bob Doidge? Yeah. Daniel had sold it a couple of years before. After six months, ... "
" ... Brian produced it, there must be something to it." The same can be said for a lot of people. Well, said, "My brother's going to be back in town and he can pick you up at the bus station next time ... "
" Adam, could you begin by telling us, well, who you are? I'm 27 [years old] — I was born in Toronto. I started working for Dan about five years ago. A [drummer] friend of mine named Victor Indrizzo was working ... "
" ... an opportunity. So I went to Grant Avenue studio and her uncle was Bob Lanois [co-owner and brother of producer/engineer [co-owner and brother of producer/engineer Daniel]. The first time I walked into that studio, having made an appointment, and looked at ... "
" ... Jim felt comfortable and at home recording here. Brian Blade at Eyeland Studio We were on tour with my friend, Daniel Lanois, and played a show at the Columbus. I met Jeff in the foyer and he showed us the studio space, ... "
" ... you describe the vibe of the studio? I could write a book about that. When these guys [Bob Lanois and and Daniel Lanois] decided to move the studio here in the '70s, at the time they were recording in their mom's ... "
" ... the arrangements. How did you pair songs with people? "When I See" was the first song that I finished instrumentally. Daniel Lanois played pedal steel on it, and Kurt Rosenwinkel did a guitar solo in the middle. That's the one Conor Oberst ... "
" ... heard. It was remarkable, that. It was the first time that Brian and I had worked together; as well as Daniel, who on his own is a remarkable talent. I didn’t realize what that record would come to mean to a ... "
" ... word. I was insistent that Jason was going to produce the record, because it made sense. We went down to [Daniel Lanois'] Kingsway [in New Orleans] to do it and we spent a ton of money. It just turned out to sound ... "
" ... good song arranger as well. To be honest, Bob doesn't need a producer. I have a lot of respect for [Daniel] Lanois and everybody who has worked with him, because that's a tall order to sit there and have the balls to ... "
" ... that from the beginning?" [laughter] Among interviews we have done in the past, several have worked with Brian Eno, including Daniel Lanois (#37), Tony Visconti (#29), Martin Bisi (#51), Kevin Killen (#67), David Byrne and Pat Dillett (#79) and Devo (#80). brian-eno.net ... "
" ... a really amazing mixer, like Bob Clearmountain, Jack Joseph Puig and those guys. I've always been influenced by Brian Eno, Daniel Lanois and a more organic, ambient sound. I think at the time it was an interesting point in music. It was ... "
" ... quickly. It was very intimidating and rewarding, because he would say things like, "Oh, I played it for Bono and Daniel [Lanois] and they loved it." I was like, "I knew I should have ridden that vocal more!" They were probably there ... "
" ... Tonight], one of those Talking Heads records [True Stories] with Eric Thorngren engineering, Robbie Robertson's first [self-titled] solo record with Daniel Lanois and a lot of records with Gary Katz. Being a tech was nice because I didn't have to sit in ... "
" ... an incredibly wonderful one. In the space of a couple years I'd worked with Steve Lillywhite, Arif Mardin, Brian Eno, of how to create a new sound. Both Brian and Danny wanted to help the band move away from what it ... "
" ... want it to pull me into where that person was when he or she was writing it. Listening to a Daniel Lanois [Tape Op #37] production will put me somewhere else. If anyone asks, "How do you set up your [UA] 1176?" ... "
" ... there are a lot of good, inexpensive effects processors — that's really whatever you like. What producers/engineers/albums particularly inspire you? Daniel Lanois [#37 & #127] would be close to the top of my list. He makes great records, notably Peter Gabriel's So. The ... "
